AGBAT’s Single ‘All My Demons’ Needs To Be Completely Exorcised From Rock And Roll

Genre: rock.

Location: Norway.

Well, well, well, brace yourselves for AGBAT, the musical equivalent of a chaotic fever dream. Lazy S Records must be thrilled to have birthed a studio project that’s less about innovation and more about testing the limits of how much musical disarray one can endure. Formed in the quaint fjord town of Øystese, Norway, AGBAT seems to have mistaken genre-bending for musical indecision.

Let’s talk about their claim to fame – the acronym “All Good Bandnames Are Taken.” Well, it seems that cleverness was taken too because, despite the name, AGBAT isn’t exactly breaking new ground. Lazy S Records’ proprietor, Sondre Skar Selsvik, and multi-instrumentalist Christopher Erik Knight might want to reconsider their life choices after unleashing this sonic experiment on the world.

AGBAT, a studio project, claims to dwell in the realms of heavy and de-tuned sounds. But let’s be real, it’s less an exploration of musical boundaries and more a cacophony of confusion. They throw around terms like rough soul, R&B vocals, driving rock, metal, modern metal, 80’s synth-pop, and progressive djent as if these elements are ingredients in a recipe for disaster. And trust me, they are.

Now, AGBAT proudly asserts its presence on all Digital Streaming Platforms. It’s like a digital plague infecting the vast expanse of the internet, questioning the very fabric of what qualifies as listenable music. This isn’t just a studio project; it’s a testament to the audacity of artists who believe that combining conflicting genres somehow results in musical genius.

This particular song – a mishmash of catchy hard rock and ambient 80’s synth rock – is like a rollercoaster ride through a sonic nightmare. One moment, you’re forced into headbanging submission by hard rock riffs that feel like a misguided attempt at musical aggression. The next, you’re lost in an ambient 80’s dreamscape, wondering if you accidentally stumbled into a questionable karaoke night.

In conclusion, AGBAT is the kind of musical endeavor that makes you question your taste in music and, more importantly, your faith in artistic integrity. Lazy S Records might want to rethink its portfolio because, with AGBAT, they’ve created less a studio project and more a cautionary tale for anyone contemplating a deep dive into experimental sounds. Norway, known for its scenic fjords and cultural richness, probably didn’t see this particular export coming.

Hold on to your eardrums, because AGBAT is shamelessly excited about their debut album, dropped like a questionable mixtape in February. If you thought that wasn’t enough, they’ve gifted the world with their version of Rick Astley’s “Never Gonna Give You Up.” Yes, you read that right – they managed to Rickroll themselves. And get ready for more, masochistic music enthusiasts, because AGBAT is gearing up to unleash more auditory chaos in early 2024. It’s like they’re on a mission to see how many genres they can butcher in a single calendar year. So, mark your calendars for the impending musical apocalypse, courtesy of AGBAT!

Linktree: @ agbatofficial